Beatrice Gibson, Alison Knowles, Ghislaine Leung, Annea Lockwood, Claire Potter, Charlotte Prodger, Carolee Schneemann, Tai Shani, Mieko Shiomi
exhibition info | press release | images | events | item list | reviews | publication | invitation
Ramp installation ‘ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE’
Mieko Shiomi ‘Spatial Poem (1965-75)’ enlarged facsimiles
Mieko Shiomi Spatial Poem No 8 - 9 invitations, enlarged facsimiles
Alison Knowles and Annea Lockwood (eds) ‘Womens Work’ issue two fold-out (1978)
installation view ‘ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE’
vitrine with Alison Knowles and Annea Lockwood (eds) ‘Womens Work’ issue one book and facsimiles, (1975), and dcoumentary photography of Annea Lockwood, ‘Piano Transplants (1966-2013)
Alison Knowles’ ‘Proposition IV (Squid)’ (1970), enlarged facsimile from ‘Womens Wor’k first issue (1975)
Ghislaine Leung, ‘Shrooms’ (2016)
Annea Lockwood, ‘Piano Transplant no 1’ (1966) and Carolee Schneemann, ‘Parts of a Body House’ (1957-68)
detail Annea Lockwood, ‘Piano Transplant no 1’ (1966)
detail Annea Lockwood, ‘Piano Transplant no 1’ (1966)
detail Annea Lockwood, ‘Piano Transplant no 1’ (1966)
installation view ‘ORGASMIC STREAMING ORGANIC GARDENING ELECTROCULTURE’
