#55
Markets
The Block and Charlotte Prodger
18.06.14 – 26.07.14
exhibition info | press release | images | private view | publication | invitation
Private view: 17th June 2014 6 – 8.30pm
The Block leaflet, 2010, Designed by The Block and Wolfram Wiedner
CHELSEA space presents Markets, an exhibition comprising a physical framework of renewed and re-designed CRT monitors by The Block, and a multi-channel video and sound installation by Charlotte Prodger.
The Block was set up in 2007 by Matthew Fitts with the primary purpose of acquiring and refurbishing obsolete Hantarex and Sony Cube video monitors. This activity is based around an interest in their formal qualities, rapid obsolescence and widespread use among artists. For this exhibition, The Block has designed and produced a new hybrid monitor which splices formal qualities of both the Hantarex and Sony models.
Charlotte Prodger’s installations and performances reroute elements of display and design alongside decontextualised narratives, to create an itinerant space of desire. Multiple subjectivities and coded erotics are held in tension with the pared-back formalism of her installations, in which the rectilinear forms of audio-visual technology echo those of minimalist sculpture. The Hantarex monitor has been a core component of Prodger's installations and she has recently built display mechanisms specifically to fit their form.
The Hantarex was originally designed for modular use in public spaces such as betting shops, train stations, amusement arcades, night clubs and shopping centres, while the Sony Cube originated as a broadcast reference monitor for edit suites. Their market has subsequently shifted toward art galleries and museums. Markets takes it title from a thoroughbred racehorse part-owned by Matthew Fitts. A convention when naming racehorses is to splice together, either conceptually or literally, the names of the foal's parents. Markets considers the video monitor on one level as a blank, interchangeable vessel for the purposes of channeling content; and on another level as a discrete entity with its own design history, social context and relationship to the human body. Central to this exhibition is the slippery idea of the version, where something produces a mutation of itself. This concern is approached through ergonomic design, language structures, and the compromises and amalgams implicit in the collaborative process itself.
The Block was established in 2007 by Matthew Fitts and operates from South East London. The Block acquires and restores discontinued Hantarex and Sony CRT monitors, hiring them to galleries and museums internationally. This funds an evolving index of activities which has included the design and fabrication of bespoke display stands for artists such as James Richards and shows including Dennis Oppenheim at MOT, hosting exhibitions and publishing books by artists including Karin Ruggaber, Sara MacKillop, Sean Edwards, Richard Bevan & Tamsin Clark and Melanie Counsell.
Charlotte Prodger (b.1974, Bournemouth) lives and works in Glasgow. Solo exhibitions include handclap/punchhole, Kendall Koppe, Glasgow (2011); Percussion Biface 1-13, Studio Voltaire, London; :-* , Intermedia CCA, Glasgow, 2012; Jason Loebs and Charlotte Prodger, Essex Street, New York (2012) and Nephatiti, Glasgow International Director's Programme, 2014. Selected group exhibitions include LUX Biennial of Moving Images, ICA, London, 2011; Old Photocopier, HOTEL, London, 2012; Frozen Lakes, Artists Space, New York, 2013; Costume: Written Clothing, Tramway, Glasgow, 2013; Holes in The Walls, Kunsthalle Freiburg, 2013 and Annals of The Twentieth Century, Wysing Arts, 2014. Prodger's writing has been published in 2HB and F.R.DAVID. She has a solo show at Inverleith House, Edinburgh in 2015 and is represented by Kendall Koppe Gallery.
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Publication
As with each exhibition at CHELSEA space, a new illustrated publication will accompany the show.
Press Information
For further information, images or to discuss interviews please contact:
Karen Di Franco or Daisy McMullan at CHELSEA space
via email info@chelseaspace.org or tel:020 7514 6983
Notes to Editors
• Images and further information are available upon request
• About: CHELSEA space is a public exhibiting space, sited on the Millbank campus of Chelsea College of Arts, where invited art and design professionals are encouraged to work on experimental curatorial projects. See: www.chelseaspace.org
• In copy please refer to CHELSEA space and not ‘The Chelsea space.’
• Gallery opening times: Tue – Fri: 11:00 – 17:00, Sat: 10:00 – 16:00
• Private view: 17th June 2014, 18:00 – 20.30
• Admission: FREE
Chelsea College of Arts is one of the world’s leading art and design institutions. Located at Millbank, next door to Tate Britain, Chelsea specialises in Fine Art, Graphic Design and Interior and Textiles Design. Since its origins in the 19th century, the College has produced many of the greatest names in the arts, including: Quentin Blake (illustrator and author) Ralph Fiennes (film and stage actor), AnishKapoor (sculptor), Steve McQueen, (artist), Chris Ofili (artist), Alan Rickman (film and stage actor), Alexei Sayle (comedian) and Gavin Turk (sculptor).
Operating at the heart of the world’s creative capital, University of the Arts London is a vibrant international centre for innovative teaching and research in arts, design, fashion, communication and the performing arts. The University is made up of six Colleges: Camberwell College of Arts, Central Saint Martins College of Arts and Design, Chelsea College of Art and Design, London College of Communication, London College of Fashion and Wimbledon College of Art. Renowned names in the cultural and creative sectors produced by the University include 12 Turner prize winners and over half of all nominees, 10 out of 17 fashion designers named British Designer of the Year, more than half of the designers showcased in London Fashion Week and 12 out of 30 winners of the Jerwood Photography Award.
