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Carlyle Reedy and Karen Di Franco installing a selection of slides
Carlyle Reedy with slide from ‘Living Human Sculpture’ (1972)
preparing ‘The Path’ (2016)
material for ‘The Path’ (2016)
Carlyle Reedy and Elisa Kay installing ‘The Path’ (2016)
objects for Annabel Nicolson’s installation with Carlyle Reedy’s installation behind
MA Curating and Collections students cataloguing Annabel Nicolson’s objects
collection of Annabel Nicolson’s documentation
preparing work by Annabel Nicolson for installation
‘Undercut’ (Spring 1978), ‘Reflections’ (1982), and ‘Escaping Notice’ (1977) by Annabel Nicolson
Mike Iveson and Donald Smith installing ‘Hands’ (c1983) by Carlyle Reedy
installing the exhibition in the main space
Elisa Kay and Marie Yates discussing options for installation
Elisa, Mike and Marie preparing to install ‘The Field Working Papers’ (1971-73,2016)
Mike installing ‘The Field Working Papers’ (1971-73) by Marie Yates
Carlyle Reedy and Marie Yates meet during installation
installing the exhibition
Cara Newman installing documentation from ‘field/music/performances’ (1973)
Carlyle Reedy and David Toop catch up
Carlyle Reedy working on ‘The Path’ (2016)
Carlyle Reedy with her mixed media installation
Phoebe Brown, Tzu-Ying Chen, Sophie Den Toom, Carlyle Reedy and Nicola Benford
Elisa Kay, Karen Di Franco and Annabel Nicolson
installing the exhibition
