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installation view
David Lamelas ‘Film Script’ (1974) with slide projector and DVD film version (2016)
still from ‘Film Script’ (1974) by David Lamelas
35mm slide from ‘Film Script’ (1974) by David Lamelas
installation view
Keith Milow photo-collage (1977/78) dedicated to Nigel and Hester
Gilbert & George as the human sculptors performing ‘The Singling Sculpture’, Nigel Greenwood Ind Ltd,
1970, re-created in vinyl with the kind permission of Gilbert & George
detail of Gilbert & George ‘The Singing Sculpture’ window vinyl
installation view
ephemera related to Joel Fisher’s exhibitions at Nigel Greenwood Inc Ltd
Richard Tuttle ‘Untitled’ (nine pieces of rope) 1974
ephemera related to David Tremlett’s exhibitions at Nigel Greenwood Inc Ltd
installation photo of David Tremlett’s work in Nigel Greenwood Gallery,
and photo of Nigel Greenwood and Kynaston McShine by David Tremlett
installation view of David Tremlett’s ‘Drawing for 12 Parts’ and ‘Drawing for 14 parts’ (both 1974) in CHELSEA space
David Tremlett’s plans for ‘Drawing for 12 Parts’ and ‘Drawing for 14 Parts’
detail of ‘Drawing for 12 Parts’ by David Tremlett, photographs and graphite on card (1974)
installation view
Bernd and HIlla Becher ‘Mosley Common Colliery’, Manchester (1974)
installation view
Selected art and ephemera related to Gilbert & George exhibitions at Nigel Greenwood Inc Ltd
including ‘Drunken Sculpture’ (1972) and ‘Reclining Drunk’ (1973) with ‘Singing Sculpture’ (1970) behind
Selected art and ephemera related to Gilbert & George exhibitions at Nigel Greenwood Inc Ltd
Gilbert & George ‘Reclining Drunk’ (1973)
selected photographs and ephemera related to ‘Book as Artwork’ (1972), Rita Donagh and Bruce Nauman
installation view
Marc Camille Chaimowicz installation recreating part of group show, Nigel Greenwood Inc Ltd (1978)
installation including chair and bench from Nigel Greenwood Inc Ltd
‘Screens’ maquettes by Marc Camille Chaimowicz (1979)
detail of Marc Camille Chaimowicz ‘Screens’ (1979)
detail of Marc Camille Chaimowicz installation
detail of ‘Portraits Qualified’ (1978) by Marc Camille Chaimowicz
