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MAURIZIO CATTELAN (IT)
Interior, 1994
16 x 50 cm
Colour photograph, Edition 1/2
RAUSS promotion - a.c furniture sud 1994
Photograph in Perspex, Edition 20/50
18 x 23 x 18 cm
Trophy Flag
Cloth, metal, Edition 8/15
36 x 30 cm
MATTHEW HARRISON (GB)
Cc 18600 Air de Paris, 2008
Bicycle wheel on wooden crate, mixed media,
Accompanying colour photograph.
39 x 30 cm
DEAN HUGHES (GB)
Filling Puddles on Days when it did not Rain, 2000
Colour photograph and accompanying text
29 x 21 cm
A Bus Ticket Signed by the Bus Driver, 1996
Bus ticket on paper, col. photograph on aluminium
20 x 25 cm each
BRIAN O’CONNELL (USA)
Spiral Jetty Tracking, 2010
Pencil on paper – accompanying colour photograph
56 x 76 cm
PHILOMENE PIRECKI (GB)
Agent (from London to Stockholm with LP, 2010 / from Hackney to Chelsea Space in the mail, 2011)
Carbon A4 copy paper, linen, tape, pins
60 x 21 cm
FREDERIC PRADEAU (FR)
Alcohol from Coca Cola, 2001
Blown glass bottle, Alcohol of Coca Cola 1, 5 litres.
Polaroids, 2001
33 x 8 cm
PADRAIG TIMONEY (GB)
Donkey London, 1992
Colour photograph (image projection on a satellite dish – of a donkey)
27 x 39 cm
DAVID TREMLETT (GB)
Panel 1. Route Map (for Spring Recordings) 1972
Mixed media on map
113 x 87 cm
Courtesy John Dunbar
Panel 2. Location list and other information (for Spring Recordings), 1972
Typed text and b/w photograph
113 x 87 cm
STEPHEN WILLATS (GB)
Multiple Clothing Self Expressions, 2009
Rubber cloth, mixed media with paper pad, acrylic on wall, DVD film
Dimensions variable
Courtesy Galerie Christian Nagel, Cologne
GARY WOODLEY (GB)
Impingement No 51, 2007
Ink on paper – 4 parts
A, B, C, D, all Editions 2/10
42 x 30 cm
PETER WUETHRICH (CH)
Angels of London, 2007
15 colour photographs
23 x 30.5 cm
MAURIZIO CATTELAN
In a work entitled Interior from 1994, Maurizio set out to photograph his studio with a professional photographer in an ELLE magazine style shoot, by which casually pinned photos on the studio walls actually retrace the entire output of his early career.
Two small multiples presented on a plinth, a trophy flag and a paper cut-out, are paraphernalia editions RAUSS PROMOTION from an important early work entitled a.c furniture sud, by which the artist got a real Italian football team play against a ‘bogus’ team of poor black immigrants living in Italy – on large mini-foot table made to accommodate the entire two teams.
MATTHEW HARRISON
A young artist based in Sheffield, Matthew set out to travel to Paris in 2008 by bicycle to pump ‘Air the Paris’ into his front tire and travel back to England. The wheel is presented on a wooden crate, alluding to three works by Marcel Duchamp.
DEAN HUGHES
Two early works by the Artist. A colour photograph of a London bus seat with an accompanying text and a bus ticket signed by the driver refer to his student days at Chelsea school of art, pondering what to do in the school studio and instead making a piece daily on the bus by embroidering the fabric of the seat. A nearly invisible piece. The other work, also consisting of a small photograph and a text is self-explanatory through its title, Filling Puddles on Days when it did not Rain, 2000.
BRIAN O’CONNELL
A drawing plots Smithson’s spiral jetty based on GPS reading of a walk O’Connell did on New Years Eve. The artist usually derives his work from art history, especially 70’s art from the USA, a crucial period in his eyes..
PHILOMENE PIRECKI
A series of carbon paper drawings where marks on the paper are the result of the transit or the shipping of the works with new marks made every time the work continue its travel. A work in progress.
FREDERIC PRADEAU
For an invitation to the Atlanta Art Gallery in 2001, the artist set out to distil thousands of litters of Coca Cola to produce one litter of pure alcohol of Coca Cola. He presents a set of polaroids from the distillery process made in his garden shed in France as well as a litter of alcohol in a hand blown glass bottle, identical looking to its plastic version.
PADRAIG TIMONEY
An early colour photograph of a black city skyline shows a satellite dish – onto which the artist projected an image of a donkey in his rural Ireland, underling a clash of values between rural life and modern technology.
DAVID TREMLETT
Two framed drawings derived from an early travel piece, The Spring Recordings, 1972, a map which plots his travel to each county of England – where the artist recorded the ambient noise, the wind or the birds singing, the other being the list of the locations he went to.
STEPHEN WILLATS
Part of an action filmed in the street of Cologne in 2009, the work combines art and clothing as social experiment through the written responses of participating volunteers.
GARY WOODLEY
Four prints retrace the wall drawing installation made for the LAURE GENILLARD space in Hanway Place, W1 in 2007, two views and two computer drawings of the modelling scheme.
PETER WUETHRICH
Fifteen colour photographs are related to a large series of work entitled The Angels of London made in 2007, by which the artist asked volunteers in various streets of London ’whether they would like to be angels for a few minutes’ giving them an open book to wear as a backpack, like angels’ wings.
Click to enlarge
